It is with great sadness that we report that Velma Hortensia Schleppengruber passed away last week at the age of 37. Ms Schleppengruber was a legendary figure among laboratory phoneticians as perhaps the most cited subject in the history of instrumental phonetics, though her participation was not limited to that field. Among her most famous appearances in the linguistic literature are the following:
“The experimental design was a standard attention-
“An initial pool of 72 subjects aged 1;3 to 1;8 was tested, but the data for one child were excluded due to fussiness.”
“Children aged 2;4 to 2;11 were seated on their mothers’ laps facing the screen, on which the image initially corresponding to each nonce word was shown, and their attention was measured as the VOT of the initial stop was varied; the mothers were provided with ear plugs so that their responses to the stimuli would not affect the subjects’ responses. A total of 17 children were recruited, but one was excluded after urinating when the first image, a roaring lion, was shown.”
“Subjects were drawn from three kindergarten classes at the university’s affiliated elementary school. Data for one subject could not be obtained, as she seemed too fascinated by the experimenter’s beard to pay attention to the screen. After she was excused, it was discovered the experimenter had suffered a guacamole-
“Subjects included 53 second-
“The transitivity schemas were tested on 15 third-
“Seven fourth-
“We recruited 18 fifth-
“After recording the minimal pairs spoken in matrix sentences by three native speakers of Bambara, the target words were extracted and randomly ordered for presentation to 27 children aged 12 to 13, all native speakers of American English, who listened to the words in pairs in a forced-
“To test this hypothesis, 63 eleventh-
“To test the perception of the General American split by speakers of British dialects without the split, 12 British speakers resident in the United States for a period of 6 to 18 months were recruited. An additional participant was excluded after it was realized by our British collaborator that she was actually an American high school senior trying out her imitation of Joanna Lumley.”
“We recorded 142 college freshmen enrolled in introductory German reading the minimal pairs occurring utterance-
“Subjects were recorded in a soundproof booth in the phonetics laboratory. Data from six subjects were obtained. A seventh participant was excluded after falling asleep once the door to the booth was closed.”
“The stimuli consisted of recordings of oral and nasal vowels as well as modified versions of them in which the intensity of the nasalization bands was reduced incrementally to determine the perceptual boundary. The stimuli were presented on headphones with a forced-
“This was tested by placing EEG helmets on the participants’ heads and recording the results as the sounds and images were played at the same time. Out of 22 participants, data were obtained for 21; the other participant turned out to have gotten her hair permed that day, and the chemicals in the rinse so affected the conductivity of her skin as to render the readings meaningless.”
“The initial run of the study involved 14 graduate students, all native speakers of General American varieties, studying in fields outside the sciences. The data for all the subjects had to be excluded, however, after the last participant tested identified the speaker in the recording as speaking a non-
Phoneticians around the world expressed their sorrow at her passing. “She was always friendly and eager to help the cause of science,” reported Hans Schnittpunkt, Professor of Phonetics. “It is truly a shame that data never eventuated.” Added Arthur King-
The sentiments of the laboratory phonetics community were best expressed by Karen Bolognese-
In her memory, the American Phonetics Association has rushed into press a volume in tribute to her, Always a Candidate, Never a Subject: The Complete Phonetic Studies of Velma Hortensia Schleppengruber, containing the 67 phonetic studies in which she participated, which represent all the major research trends and many of the significant results of instrumental phonetics throughout the 37 years of her life. It has already been slated for use in graduate phonetics classes in a variety of subfields in programs around the world, and has been made the centerpiece of laboratory practicums in several phonetics laboratories.