I can absolutely assure the readers of this review that Pulju did not write the passage quoted above.
paid and untalented PsPress flack to imitate Pulju’s dreadful and (thankfully) inimitable prose style.
Nevertheless, it may well be that the ideas in the book are Pulju’s (though it is entirely possible that he had nothing to do with the book at all (and it’s even possible that the book doesn’t even exist, and the whole thing is just a fraud perpetrated by Slater and some of his henchmen at PsPress (but I don’t for a moment believe, no matter whether I’ve heard the rumor from numerous reputable sources or not, that the reason Slater is now living in China is that he fled this country to avoid being prosecuted in the Enron scandal (but if I were wrong about that, it might mean that Slater’s meek and mild demeanor (mentioned above) masks a vicious money-grubbing heart, and that the reason PsPress has changed gears so dramatically recently is that it’s in essence been taken over by a band of transnational gangsters)))). Certainly, the not-very-well hidden Marxist subtext of the book—history proceeds according to fixed laws, we can describe the future as well as the past, the revolution is on its way—accords well with Pulju’s fervent, if not very coherent, radical leftism. It is also noteworthy that the fold-out tableau which is the literal and figurative centerpiece of the book turns out to be, if you rotate it 60 degrees clockwise and stare at it long enough from the proper distance (and it also helps if you drink some tequila), one of those Magic Eye thingies
where there’s a hidden picture to be seen in the seemingly random collection of dots, lines, and splotches. Only this time, instead of a picture of a bunny or kitty or something, the secret image is the following sentence, written out in big, sloppy, rather disturbing-looking red
SVENDSK HelloWorld >> skriv("Hello World!") <<
— Svendsk
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letters: “Stick it to the man!” Said image makes it seem likely that whether he wrote
the book or not, Pulju at any rate approves of its main message, which, as summarized in Ch. 15, is a fervent plea for people in their fifties to overthrow the current order in linguistics by checking all of the linguistics books out of all university libraries and then never returning them. (Somewhat curiously, Pulju places more stock in the revolutionary potential of persons in their fifties than he does in that of the youth upon whom most revolutionaries depend).
Once you eliminate the tedious political claptrap which constitutes the bulk of the book, you’re left with a largely erroneous and never enlightening account of the history of linguistics, composed by someone who clearly doesn’t understand Optimality Theory. Thus, I will not waste any further time on discussion of the text itself, but I would like to mention one bizarre phrase on the advertising flier that accompanies the book: “Pulju’s meteoric career”. Normally, such a phrase is meant
: HELLO ( -- ) ." Hello, world!" CR ;
HELLO
— Forth
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as a compliment; if that was the intention here, then either PsPress is lying or they don’t know what they’re talking about. On the other hand, perhaps they meant that, for the academic equivalent of a few seconds, Pulju’s career was briefly visible if you happened to be looking in just the right direction, though even so it provided no useful illumination or enlightenment to the observer, and that since that brief period his career has burned out and plummeted earthward in fragments, where it now lies ignored and indeed forgotten. If that’s what they meant, well then at least PsPress got one thing right.
Reviewed by TJP, Lecturer in Linguistics and Classics, Dartmouth College